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Quality of Life Technology ERC (QoLT-ERC)
QoLT Foundry Firm VibeAttire, Inc. Puts Feeling Into Music—Literally
The Quality of Life Technology (QoLT) Center’s Foundry program launched the new company VibeAttire, Inc. in June 2009 to market technology developed by a Carnegie Mellon University (CMU) student associated with QoLT.  The Center is one of NSF’s Engineering Research Centers (ERCs) and is based at CMU and the University of Pittsburgh.

VibeAttire was created and developed by Aubrey Shick, now a Ph.D. student at CMU in the Human-Computer Interaction Institute (HCII), while she was receiving her B.F.A. in Industrial Design, also at CMU.  The initial impetus for VibeAttire was to provide a means for deaf individuals and those with less severe hearing deficits to experience the music that people with normal hearing take for granted.   However, VibeAttire has identified normal-hearing people as a market as well.  That’s because with the popular practice of listening to music with ear buds, much of the fully enveloping aural experience intended by the music’s creators is lost.  Ear bud listeners hear the music, but they do not feel the sensation of the sound waves upon their bodies.   

In its initial form, VibeAttire technology is incorporated into clothing and converts standard audio input information into a vibro-tactile experience.  The vibro-tactile experience provides a sense of pressure or touch using vibrating motors that are activated from the output of audio devices.  The system converts the audible sound to enable the specific motors, embedded into the apparel, to vibrate at mapped frequencies.  
The patent-pending technology offers a unique way to create and experience music: a surrounding and immersive experience that exploits the listener’s tactile sensibilities.

To learn more about this topic visit: 
Quality of Life Technology ERC (QoLT-ERC)

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VibeAttire, Inc. uses embedded, vibrating motors to convey an interpretation of music to deaf individuals, those with hearing deficits, and anyone seeking to experience music through a different sensory channel than the ears.
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